Sirpa Lane in Papaya, Love Goddess of the Cannibals | |
Born | 1952 |
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Died | 1999 (aged 46–47) Formentera, Spain |
Cause of death | HIV/AIDS |
Sirpa Lane, born Sirpa Salo (1952–1999) was a Finnish actress known for her work in B-movies of the 1970s, primarily erotic and exploitation films. Lane was discovered by British photographer and film-maker David Hamilton, who was known for his soft focus and grainy style erotica. She worked with Roger Vadim, who spoke of her as the 'next Bardot' (perhaps not without reason). She died of HIV/AIDS.[1]
Biography[edit]
When she arrives at the aristocratic estate of her husband to be, a young woman's carnal desires are awakened by fantasies involving a lustful beast-like creature in this deliriously demented blend of fairy tale, horror, and erotica from iconoclastic cult director Walerian Borowczyk. The Beast in Space 1980, 92 min. Alfonso Brescia. Starring: Sirpa Lane, Vassili Karis, Lucio Rosato Exploitation Film. Foreign Language Film. Science Fiction.
Lane was born in Turku, Finland in 1952. She made her debut in the English film Fluff (1974), directed by Robert Paget. She had a relationship with Gilles Raysse, a business manager. She died of HIV/AIDS at the age of 46 in Formentera, Spain in 1999.[2]
Filmography[edit]
- La jeune fille assassinée (The Assassinated Young Girl) (1974) aka Charlotte) as Charlotte Marley
- Fluff (1974)
- La Bête (The Beast) (1975) as Romilda de l'Esperance
- Nazi Love Camp 27 (aka La svastica nel ventre/ The Swastika on the Belly) (1977) as Hannah Meyer
- Malabestia (Evil Beast) (1978) as Ursula Drupp
- Papaya, Love Goddess of the Cannibals (1978) as Sara
- La bestia nello spazio (aka Beast in Space) (1980) as Lt. Sondra Richardson
- Trois filles dans le vent (Three Women in the Wind) (1981) as Sirpa Lane
- The Secret Nights of Lucrezia Borgia (aka Le notti segrete di Lucrezia Borgia) (1982) as Lucrezia Borgia
- Exciting Love Girls (aka Giochi carnali / Carnal Game) (1983) as Dr. Daniara / Daniela Mauri (final film role)
References[edit]
- ^'Sirpa Lane'. Biography. IMDb database. 2013. Retrieved 2013-04-25.
- ^Celebrating Sirpa Lane.Cult Labs.
- 'Sirpa Lane / Sirpa Salo'. Биография. Kino-Teatr.ru. 2013. Retrieved 2013-04-25.
External links[edit]
- Sirpa Lane on IMDb
Retrieved from 'https://en.wikipedia.org/w/index.php?title=Sirpa_Lane&oldid=931275046'
The Beast | |
---|---|
Directed by | Walerian Borowczyk |
Produced by | Anatole Dauman |
Written by | Walerian Borowczyk |
Starring | Sirpa Lane Lisbeth Hummel Marcel Dalio |
Cinematography | Bernard Daillencourt Marcel Grignon |
Edited by | Walerian Borowczyk |
Production company | |
Distributed by | Argos Films |
Release date | |
Running time | 98 minutes |
Country | France |
Language | French Italian English |
The Beast (French: La Bête) is a 1975 French sexhorror film written, edited, and directed by Walerian Borowczyk. Although sometimes compared with Beauty and the Beast, there are no parallels in the plot except that it features the relationship between a beast (monster) and a woman. The film was noted for its explicit sexual content upon its initial release. It has become a cult film.
Background[edit]
A loose adaptation of the novella Lokis by Prosper Mérimée was originally conceived in 1972 as a film on its own. However, Borowczyk later rendered Lokis as a story (La véritable historie de la bête du Gévaudan) in Immoral Tales (1974), which was envisaged to be a film of six stories.[1] After Immoral Tales was remastered as a film of four stories, the footage became the dream sequence of The Beast.[2]
Plot[edit]
Businessman Philip Broadhurst dies and leaves his estate to his daughter, Lucy, on the condition that, within sixmonths of his death, she marries Mathurin, the Marquis Pierre de l'Esperance's son, and be married by Cardinal Joseph do Balo, the brother of Pierre's uncle, the crippled Duc Rammaendelo de Balo, who shares their crumbling farmhouse with Pierre's daughter Clarisse, and their servant Ifany.
Mathurin, who manages the family horse-breeding business, is dim-witted and deformed, and has never been baptized. Pierre summons the local priest to the house for the baptism, but Pierre, by promising the priest repairs to his church and a new bell, performs the ritual himself so that the priest will not find out the truth about Mathurin.
Lucy and her aunt, Virginia, are driven by their chauffeur towards the farm but their way is blocked by a fallen tree. They find a back route to the house at a back door to the house, where Lucy asks Rammaendelo about rumors. Rammaendelo, who is not in favor of the marriage because he is dependent on Mathurin to look after him, shows her a book that describes the beautiful Romilda's fight with a beast in the local forest 200 years ago. Lucy comes across several drawings depicting bestiality, and becomes sexually excited at the thought of her impending marriage, even though she has never met Mathurin.
Pierre blackmails Rammaendelo into persuading his brother to perform the marriage by telling him that he has proof that Rammaendelo poisoned his wife. Rammaendelo is unable to get through to the Cardinal on the telephone, so Pierre sends a telegram, assuring him that Mathurin has been baptized and urging him to attend this evening.
Everyone assembles for dinner, and Mathurin's uncouth manners become apparent. Lucy and her aunt try to leave, but are persuaded to stay. Everyone having drunk too much wine, most of the assembly fall asleep while waiting up for the Cardinal. Lucy retires to her room, undresses, puts on her thin wedding dress, and dreams that she is Romilda, playing a harpsichord. Seeing a lamb straying into the forest, she chases after it to find that it has been torn apart by a black hairy beast.
Pierre overhears Rammaendelo on the telephone to the Cardinal trying to dissuade him from performing the marriage. Angrily interrupting the conversation, Pierre slits Rammaendelo's throat with a razor and tears the phone out of the wall. In the ensuing comic dream sequence, the beast with a large visible erection chases Lucy through the forest. She loses most of her clothing in the process and ends up hanging by her arms from a branch, and the beast licks her and masturbates. Lucy wakes in a sweat and wonders if it was merely a dream. She tiptoes to Mathurin's room but he is asleep, fully clothed, on his bed. Lucy returns to her room, masturbates, and dreams that the beast is copulating with her. She wakes again and is convinced that Mathurin must have visited her. She visits his room again but he is still sleeping soundly.
Lucy returns to her dream. The beast continues to masturbate and Lucy rubs his ejaculate all over herself. Eventually the beast dies of exhaustion. Lucy wakes and walks into Mathurin's room to find him dead on the floor. She runs naked through the house screaming, and everyone runs to her aid. Virginia examines Mathurin's body and discovers that a plaster cast on his arm is concealing a claw for a hand. Pulling his clothes off reveals both that he is covered in thick black hair and that he has a tail. They run out of the house in terror as the Cardinal arrives. Virginia comforts the terrified Lucy as they speed away in the car, and Lucy dreams that she is naked in the forest again, burying the beast.[3][4][5][6][7]
Cast[edit]
- Sirpa Lane as Romilda de l'Esperance
- Lisbeth Hummel as Lucy Broadhurst
- Elisabeth Kaza as Virginia Broadhurst
- Pierre Benedetti as Mathurin de l'Esperance
- Guy Tréjan as Pierre de l'Esperance
- Roland Armontel as Priest
- Marcel Dalio as Duc Rammaendelo De Balo
- Robert Capia as Roberto Capia
- Pascale Rivault as Clarisse De l'Esperance
Release[edit]
The film premiered on 6 January 1975 at the Avoriaz Fantastic Film Festival[8] and was released theatrically in Germany on 6 February 1981.[9]
Reception[edit]
The film did well in Europe, but the run of the film in France and the U.S. ran into controversy due to its erotic nature and show of bestiality. Many felt the film went over the top with its sex scenes, leading to its withdrawal from film for several years. In the UK the BBFC refused to classify a heavily cut version for general cinema release, and the same cut print narrowly avoided prosecution under the Obscene Publications Act by the Director of Public Prosecutions when it was shown with Greater London Council approval at the independently run Prince Charles Cinema in London in September 1978.[10]
Further reading[edit]
Kerri Sharp. 'Hairy Hands Make Light Work'. UK: Headpress19: World Without End (1999), pp. 37–40.
References[edit]
- ^'Polish culture: Walerian Borowczyk'. Archived from the original on 3 October 2013. Retrieved 19 February 2013.
- ^LOKIS Le manuscrit du Professeur WITTEMBACH
- ^Review with several screenshots at devildead.com
- ^DVD: Beast, The, 3-Disc Limited Edition / La Bete (1975), by Mark R. Hasan
- ^MITTERNACHTSKINO - La Bête – Die Bestie
- ^Bildstoerung » LA BÊTE - Die Bestie
- ^Paszylk, Bartłomiej (March 2009). The pleasure and pain of cult horror films: an historical survey. McFarland. p. 148. ISBN978-0-7864-3695-8. Retrieved 23 January 2011.
- ^La Bête – Die Bestie ¦ DVD ¦ Schnitt Online
- ^Schwarzglut - Bête, La (Frankreich 1975) - Review
- ^BBFC Case Study of La Bête
External links[edit]
- The Beast on IMDb
- The Beast at Rotten Tomatoes[dead link]
- Online review from Moria
Retrieved from 'https://en.wikipedia.org/w/index.php?title=La_Bête_(film)&oldid=936935463'